printing

2008 October 13
by threadspider

You can probably tell from the picture on Sunday’s post that I put the printing on hold and we visited the fabulous Japanese Maples at Westonbirt Arboretum on Saturday. Nature’s eye candy. I have made a page just for them-check out “Autumn glory” if you want to peek at the colours. It was such a perfect day-clearest blue sky setting off those tints fabulously.

But there has been printing.I made two collograph “plates” with a variety of dried materials and cardboard, varnished them and left them to dry overnight. This afternoon I printed collographs from the plates. Prtobably won’t be trying that again too soon-I enjoyed making the  plates but the time involved with the cutting and gluing and varnishing doesn’t justify the result at the moment. See below. Probably better with a press.

collograph

And then, a series of monoprints made on a glass plate (otherwise known as an old picture frame glass) with lino printing ink, applied with my lovely new roller. I drew directly into the ink with the wrong ends of brushes, tilers “combs”-the kind you spread tile adhesive or grouting with and a small plasterers trowel. I may not have all the right “artist” equipment, but I’m a very practical sort of girl! The prints are just made on computer printer paper, but I tried one (below) on water colour paper. I loved making these and will definitely do more with this. Makes me want to buy coloured inks now.

love those crazy monoprints

9 Responses leave one →
  1. 2008 October 13

    Try the monoprinting with acrylic paint as well, with or without textile medium—love the results you got!

  2. 2008 October 13

    OOOOO especially the one in the top left!!!!!!!! great details!

  3. 2008 October 13
    threadspider permalink

    Thanks Arlee! I thought of you as soon as I lifted the top left print-it looks like a robot tree. I will try the acrylics idea too.

  4. 2008 October 13

    Love the monoprints! The collograph is tricky to print from without a press – and even then results vary greatly. Keep your collograph block and if you have access to a press give it another go, you’ll need to print on some good heavy printmaking paper – as used for printing etchings – or the paper with probably tear.

    Have fun!
    Celia

  5. 2008 October 13
    threadspider permalink

    Thanks Celia-I wondered if the ink wasn’t getting much of a purchase on the varnished items too.

  6. 2008 October 13
    paulahewitt permalink

    wow. stupid question – does monoprinting mean you only make one print per plate?

  7. 2008 October 13

    Love the print right at the bottom :-)

  8. 2008 October 13

    You can make “ghost prints” with the monoprinting–as long as colour lifts, you’ll get a fainter image–really cool if you use several designs and “build” on them—no ink/paint wasted then :}

  9. 2008 October 14
    threadspider permalink

    Paula-yep-only one “good ” print, although as Arlee suggests, you can make a ghost print if you take a second one from the plate. Makes them special. And frustrating if you really like one because you can’t exactly repeat it. Part of the charm ,I guess.
    Thinking about the ghost print-it might be a great way of creating background fabrics. Hmm-lots to think about.

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